Thinking about the West Side Story Debate

The recent New York Times piece on the reaction of Latinx people in the arts to West Side Story has drawn some sadly uncharitable responses from people whose political instincts are typically progressive. So, even though my initial and concluding thoughts about the whole issue is to say that the arts are, thankfully unlike politics in that the best work does not come from agreement and compromise but a willingness to put forward distinctive, unique, challenging and often upsetting work, I do want to say a few words about why I think we should not be divided about the wrong things when it comes to West Side Story and other works of art that raise issues of gender, race, and class. It’s important to note to being with that there was no unanimity of opinion in the article let alone an effort by the voice of the New York Times… Continue reading

Charlton Heston, Touch of Evil and "the method"

I’ve never been a fan of Charlton Heston. He was never a very good actor. And his macho gun-toting politics represents all that is worst inAmerica. But I do have a funny story about him. The Welles film, Touch of Evil, is one of my favorite films. I taught it for a number of years in my Politics and Film class at UNC Charlotte. Heston gave one of his best performances as Miguel “Mike” Sanchez, the presumed hero of the film. Sanchez, it turns, is a far more morally ambiguous character than one recognizes at first. Indeed, the one of the charms of the film is that one’ judgments of both Heston’s character and and the one played by Welles himself as well as one’s view of ethnic conflict itself are called into question in the film, One year, one of my best and favorite students in the class was… Continue reading